Wednesday, December 13, 2017

News of the World by Paulette Jiles December 2017

December 2017 selection - News of the World by Paulette Jiles

The Fairfax Library Book Discussion Group will meet Thursday, December 14th at 7 p.m. in the meeting room of the Fairfax Library to discuss our December book, News of the World by Paulette Jiles.

Discussion questions are below.

Here are some links for additional background and information:


Short bio of Britt Johnson – a real person




Coming up, we have the following books to look forward to reading:


Thurs. Jan 11th            Exit West by Mohsin Hamid

Thurs. Feb 8th             Before the Fall by Noah Hawley

Thurs. Mar. 8th            Strangers in Their Own Land by Arlie Hochschild
                                    (One Book/One Marin selection)


Thanks for reading with us. I look forward to seeing you at the Fairfax Library.

Beth Bailey-Gates
Friends of the Fairfax Library




DISCUSSION QUESTIONS
News of the World by Paulette Jiles

1. Discuss Captain Jefferson Kyle Kidd’s work as a newspaper reader. What does he bring to his audience, and what does he gain from his work besides financial compensation? What else might “news of the world” mean in the novel?
2. Why does Kidd accept the difficult job of returning Johanna home? What drives him to complete the job despite the danger and obstacles?
3. Why do you think Johanna wants to stay with her Kiowa family? What do you think she remembers of her life before she was taken?
4. What connects Kidd to Johanna? Why does she seem to trust him so easily?
5. What does Kidd worry may become of Johanna once she’s returned to her family? What does he know of the fate of other “returned captives”?
6. Doris Dillion says that Johanna is “carried away on the flood of the world...not real and not not-real.” She describes her as having “been through two creations” and “forever falling.” Do you agree with her assessment? Does Johanna remain this way through the course of the novel?
7. Discuss the various tensions in the novel: Indians and whites; soldiers and civilizations; America’s recent past and its unsure future. In what ways do these tensions underlie the story of Kidd and Johanna?
8. Imagine the perspective of Johanna’s Kiowa family. Why, do you think, they would’ve taken her in and raise her? Why would they give her up? How do you think they felt when they let her go?
9. Discuss the troubling moment when Johanna wanted to scalp her fallen enemy. How did that make you feel about her?
10. Partway through his journey with Johanna, Kidd feels as though he was “drawn back into the stream of being because there was once again life in his hands.” What do you think this means? What does it tell you about Kidd’s emotional life?
11. How does Johanna’s time with the Kiowa Indians shape her identity, for better or worse?
12. What kind of man is Captain Kidd? What does his willingness to return Johanna to her family say about him?
13. How does the author depict post-Civil War Texas? What kind of place and landscape is it? Is the war actually over for the people Kidd and Johanna meet along their journey?

Wednesday, November 8, 2017

The Little Red Chairs by Edna O'Brien November 2017

November 2017 selection - The Little Red Chairs by Edna O'Brien

The Fairfax Library Book Discussion Group will meet Thursday, November 9th at 7 p.m. in the meeting room of the Fairfax Library to discuss our November book The Little Red Chairs by Edna O’Brien

Discussion questions are below.

Here are some links for additional background and information:





Coming up, we have the following book to look forward to reading and discussing:


Thurs. Dec. 14th        News of the World by Paulette Jiles


Thanks for reading with us. I look forward to seeing you at the Fairfax Library.

Beth Bailey-Gates



1.       The novel has two epigraphs: “An individual is no match for history,” and “The wolf is entitled to the lamb.” What is the significance of these two quotations, and how can they be interpreted after the novel is read?

2.       Prior to opening the story, O’Brien provides historical context. Given that she describes the little red chairs on page 68, why do you think she wants us to have this factual information before starting the book?

3.       Who is the heroine of the novel? What is the arc of her struggle?

4.       How does O’Brien bring the old world together with the new world? What is the impact on the reader of the idyllic village of Cloonoila as it is exposed to the evil of the outside world?

5.       In what ways does the novel feel like a fairy tale?

6.       Why does Sister Bonaventure decide to become Dr. Vlad’s guinea pig? What does this say about Catholicism in general and this community in particular?

7.       Consider the two dream sequences in the novel. The first is Vlad’s memories of K, and the second is Fidelma’s imagined conjugal visit with Vlad. What do these dreams represent, and why are they important?

8.       How does this novel address the vulnerability of women and refugees? What is its relevance in 2016? Is justice ultimately done or is it merely symbolic?

9.       There are omens and foreshadowing from the first page of the book. Were you aware of these while you were reading, or did it take a second reading to fully appreciate the author’s craft?

10.   Does Fidelma need to atone for her adultery? How does she find redemption?

11.   We meet Dr. Vladimir Dragan at the beginning of the book appearing like a holy man in white gloves and white hair. What does his appearance signify?

12.   There were a cast of interesting characters and their stories. Which one did you like the most and why?

13.   Did you find that having all the different characters included help to augment the story, or did it take away from the story?

14.   The Little Red Chairs was very graphic in some parts, in the brutality of the crimes that were committed. Did you find it upsetting? How did you feel about the approach O’Brien took to convey her message?

15.   There were many themes that were raised in The Little Red Chairs, good and evil for example. Which theme did you feel was the most important?

16.   The start of The Little Red Chairs pays homage and commemorates the start of the siege of Sarajevo by Bosnian Serb forces with details of the red chairs and the little chairs. Did you know much about the war crimes and crimes against humanity before reading the book? Do you feel that you want to know more about it now?

17.   To what extent do you think O’Brien achieved in bringing up the philosophical questions regarding war crimes in The Little Red Chair? Do you think she succeeded in making us aware of the atrocities of war?

18.   What prompted Fidelma to go to the Hague? Was this the end of her journey or a beginning of a new one?

19.   Fidelma decided to visit Vlad in prison because “it occurred to her that a trace of him still lurked in her, minute and spectral, that effluvial stain that would be her stigmata forever.” Do you think that she would get closure from the prison meeting? Was her expectation met?

20.   Both Vlad and Fidelma had dreams. What was significant about Vlad dream, when he was in the cove that involved dreaming of his friend K? What did Fidelma’s dream of the conjugal room reveal?

Wednesday, October 11, 2017

Lab Girl by Hope Jahren October 2017

October 2017 selection - Lab Girl by Hope Jahren

The Fairfax Library Book Discussion Group will meet Thursday, October 11th at 7 p.m. in the meeting room of the Fairfax Library to discuss our October book Lab Girl by Hope Jahren


Discussion questions are below.

Here are some links for additional background and information:


Jahren Laboratory website – with bios of Jahren and her lab partner, Bill




Coming up, we have the following books to look forward to reading and discussing:



Thurs. Nov. 9th          The Little Red Chairs by Edna O’Brien

Thurs. Dec. 14th        News of the World by Paulette Jiles



Thanks for reading with us. I look forward to seeing you at the Fairfax Library.

Beth Bailey-Gates



DISCUSSION QUESTIONS
Lab Girl by Hope Jahren

1. Lab Girl opens with a detailed description of the laboratory Jahren loved as a child. How does she transform a cinder-block room stocked with scientific equipment into a “castle” (p. 8)?  In what ways do her recollections of her time in the lab and the trips home late at night with her father evoke the mood and magic of fairy tales? 
2. Jahren writes of the emotional distances between members of a Scandinavian family, of “growing up in a culture where you can never ask anyone anything about themselves” (p.11). Are Jahren’s feelings about her family shaped solely by cultural tradition? 
3. Does Jahren’s observation that “being mother and daughter has always felt like an experiment that we just can’t get right” (p. 16) capture something you have experienced, either as a parent or child? Why do you think Jahren dedicated Lab Girl to her mother? 
4. Jahren writes, “I chose science because science gave me what I needed—a home as defined in the most literal sense: a safe place to be” (p. 18).  Discuss and evaluate the combination of elements that determine her choice, including her attachment to her father and the recognition that “being a scientist wasn’t his job, it was his identity,” the acceptance by her science professors of “the very attributes that rendered me a nuisance to all of my previous teachers,” and her simple declaration that the desire to become a scientist “was founded upon a deep instinct and nothing more.”  Compare this initial explanation with the self-portrait she offers in the final chapter (p. 277).
5. In alternating chapters, Jahren forges links between her own life and the plants that have populated it. How does the story of the blue spruce tree (pp. 27–29) set a pattern that is echoed and enhanced throughout the book? What insights do these close examinations of a large variety of plants provide into the needs and the capabilities shared by all living things? Is there a particular topic—for instance, the universal struggle for survival or the interdependence evident in nature—that resonates with you?
6. In recalling her first scientific breakthrough, Jahren writes, “On some deep level, the realization that I could do good science was accompanied by the knowledge that I had formally and terminally missed my chance to become like any of the women that I had ever known” (p. 71).  What are the emotional and practical repercussions of this moment?  Is there a moment in most people’s lives that marks a line between who they are and who they might have been?
7. Jahren describes her struggles with mental illness in a gripping and vivid interlude (pp. 144–47).  Why do you think she introduces this at the midpoint of her book?
8. Jahren’s relationship with Bill is a sustained theme in Lab Girl.  In what ways do Bill’s manner and methods in the lab complement Jahren’s?  What qualities shape their behavior toward each other on a personal level? Discuss the sense of intimacy and tolerance at the core of their friendship, as well as the boundaries they establish.  What do their long conversations, their reactions to institutional rules, and the misadventures they share on their field trips all add to the book?  In what ways does their trip to the Arctic capture the essence of their bond (pp. 195–201)?
9. What previously hidden aspects of Jahren’s character come to light as she describes her meeting and marriage to Clint (pp. 205–209)?  
10. Jahren writes of her pregnancy, “I know that I am supposed to be happy and excited. . . . I am supposed to celebrate the ripening fruit of love and luxuriate in the fullness of my womb. But I don’t do any of this” (p. 217).  How do such factors as her childhood, her professional ambitions, and her mental illness affect her experience? Why does she “decide that I will not be this child’s mother. Instead, I will be his father” (p. 228). 
11. What obstacles does Jahren face in her career as a research scientist?  Are some of the setbacks Jahren faces attributable to her being a woman in a male-dominated field? 
12. Do you agree that “America may say that it values science, but it sure as hell doesn’t want to pay for it” (p. 123)?
13. Science writing is sometimes criticized for seeming to anthropomorphize scientific subjects. Do you think that Jahren avoids this potential pitfall? In what ways do her choice of words and use of metaphor balance the scientific facts that she wants to convey with having the reader understand and even delight in these facts? What facts did you find most interesting?
14. As you read Lab Girl, were you equally engaged with the autobiographical sections and the chapters on plants and trees, or did you find yourself more drawn to one or the other? 
15. Lab Girl makes use of a wide range of language and tones, from the scientific to the colloquial, from biblical references to profanity. Does this range subvert our expectations about how scientists “should” talk? What do the different tones reveal about Hope? How does her varied language help us to see her in multiple lights—as scientist and writer, as friend and human?
16. Memoir is a highly intimate form. Do you feel you’ve gotten to know Hope through Lab Girl? Does she seem similar or different to science teachers you have had? Do you see her as an inspiration for young women who want to pursue a career in science?
17. One of the literary tropes Jahren uses in her memoir is the comparison of plant life with human life. Talk about the parallels she draws between her subjects and herself. In what ways are we all similar to our rooted, blossoming brethren? Do you see those parallels in your own life?
18. Chapter 11 (pg 254) starts with the statement that, like most people, Jahren’s son has a particular tree that figures prominently in his life. Do you remember a particular tree from your childhood?

Wednesday, September 13, 2017

His Bloody Project by Graeme Macrae Burnet September 2017

September 2017 selection - His Bloody Project by Graeme Macrae Burnet

The Fairfax Library Book Discussion Group will meet Thursday, September 14th at 7 p.m. in the meeting room of the Fairfax Library to discuss our September book His Bloody Project by Graeme Macrae Burnet


Discussion questions are below.

Here are some links for additional background and information:


Culduie, Highland is a real place






Coming up, we have the following books to look forward to reading and discussing:


Thurs. Oct. 12th         Lab Girl by Hope Jahren

Thurs. Nov. 9th          The Little Red Chairs by Edna O’Brien

Thurs. Dec. 14th        News of the World by Paulette Jiles



Thanks for reading with us. I look forward to seeing you at the Fairfax Library.

Beth Bailey-Gates



1.       What role do religion and superstitious beliefs have in the novel?
2.       The novel explores the social hierarchy of the Scottish Highlands in the nineteenth century. What impact do these structures have on the lives and actions of the characters?
3.       The novel is presented as a series of “found documents.” How does this format affect your understanding of the characters and story?
4.       What roles do the various secondary characters – Lachian Mackenzie, Jetta, John Macrae,  Flora Mackenzie – play in the lead-up to Roddy’s murders?
5.       What do you think Roddy’s true motivations for the 3 murders are? To what extent  do you accept his version of events?
6.       Roddy Macrae’s fate at trial hinges on the question of his sanity. How has our understanding of insanity changed since Victorian times?
7.       Whose version of events do you think is correct -  Roddy Macrae’s written version or Dr. Thomson’s?
8.       Who was the father of Jetta’s baby?

Wednesday, August 9, 2017

The Sympathizer by Viet Thanh Nguyen August 2017

August 2017 selection - The Sympathizer by Viet Thanh Hguyen

The Fairfax Library Book Discussion Group will meet Thursday, August 10th at 7 p.m. in the meeting room of the Fairfax Library to discuss our August book, The Sympathizer by Viet Thanh Nguyen.

Discussion questions are below.

Here are some links for additional background and information:





Coming up, we have the following book to look forward to reading:


Thurs. Sept. 14th       His Bloody Project by Graeme Macrae Burnet



Thanks for reading with us. I look forward to seeing you at the Fairfax Library.

Beth Bailey-Gates
Friends of the Fairfax Library

 DISCUSSION QUESTIONS
The Sympathizer by Viet Than Nguyen

1. What is the significance of the title, The Sympathizer?
2. How does the protagonist’s mixed parentage, his “outsiderness,” anticipate his dual nature and divided loyalties?
3. The novel takes the form of a long confession written by the narrator in prison. How effective is this approach? What quandaries does it raise regarding truth and coercion?
4. In what way, or how accurately, do the scenes about the production of a film about the Vietnam War, a take-off on Francis Ford Coppola’s Apocalypse Now, reflect how Vietnam was actually depicted in American media and culture?”
5. Would you describe The Sympathizer as satire? Perhaps in the vein of Joseph Heller’s Catch-22?
6. The narrator is a spy, a secret agent. Is The Sympathizer an espionage thriller? Or is Nguyen playing with the conventions of a thriller?
7. What impact did American culture have on the Vietnamese refugees as they sought to assimilate in their adopted homeland?
8. When Vietnamese refugees returned home, how do think they were viewed by those who never left?
9. Do you think that younger readers will experience a different impact from this novel than readers who grew up in the Vietnam era?
10. Has The Sympathizer altered your perception of the Vietnam War? If so, how?
11. What does the narrator mean when he tells us, "I am a man of two minds"? How does this statement reverberate throughout the book?

12. Comparisons of this work have been made to Joseph Heller's Catch-22, an absurdist take on World War II. Nguyen includes similar satire in The Sympathizer. One such example is this statement::
It was a smashingly successful cease-fire, for in the last two years only 150,000 soldiers had died. Imagine how many would have died without a truce!
Can you find other examples where the author employs similar satiric wit? What affect does such a stylistic device have on your reading? Does the black humor lessen the horror of the war, or draw more attention to it?
13. Talk about the conclusion of the book, which many describe as shattering. Was it so for you? How has the narrator been changed by his experiences? What has he come to learn about himself, his culpability, his identify, the war, America and Vietnam?

14. The narrator says that the war in Vietnam "was the first war where the losers would write history instead of the victors." What does he mean by that? What do you know (or remember) about the war—and how did you come to know it? How does point of view, who does the telling, alter one's understanding of history?



Wednesday, July 12, 2017

The Last Painting of Sara de Vos by Dominic Smith July 2017

July 2017 selection - The Last Painting of Sara de Vos by Dominic Smith

The Fairfax Library Book Discussion Group will meet Thursday, July 13th at 7 p.m. in the meeting room of the Fairfax Library to discuss our July book, The Last Painting of Sara De Vos by Dominic Smith.


Discussion questions are below.

Here are some links for additional background and information:



Judith Leyster, the 2nd woman to join the Guild of St. Luke




Coming up, we have the following books to look forward to reading:


Thurs. Aug. 10th       The Sympathizer by Viet Thanh Nguyen

Thurs. Sept. 14th       His Bloody Project by Graeme Macrae Burnet



Thanks for reading with us. I look forward to seeing you at the Fairfax Library.

Beth Bailey-Gates
Friends of the Fairfax Library



Discussion Questions
The Last Painting of Sara de Vos by Dominic Smith

1. What does At the Edge of a Wood mean to Sara, Marty, and Ellie? How did your reactions to the painting shift throughout the novel?
2. How does the memory of Kathrijn influence Sara’s art? What are Sara’s perceptions of mortality and the natural world?
3. What does the novel reveal about the distinctions between artists and art historians, and between collectors and dealers? Is art forgery a form of art?
4. What empowers Ellie and Sara despite the chauvinism they face when they launch their respective careers?
5. Would you want the Rent-a-Beats at your party? In their disdain for capitalism, do they do a good job of exposing the plight of someone like Sara?
6. As you read about the great lengths taken to transport the painting from the museum in Leiden, what came to mind about the value of a fake? What value should Ellie’s painstakingly created painting possess? How does the muddy nature of falsehood and illusion shape her relationship with Marty?
7. As you observed the stark difference between the Guild of St. Luke in the Netherlands and the modern auction scene in Manhattan, what did you discover about the economics of the art world? Has the patronage system that provided Sara with a benefactor (through Barent’s creditor, Cor- nelis Groen) disappeared?
8. If you had been in Ellie’s situation, would you have accepted Gabriel’s invitation to “restore” At the Edge of a Wood?
9. Discuss the three marriages portrayed in the book: Sara and Barent, Sara and Tomas, Marty and Rachel. When does love flourish in the novel? What causes it to fade?
10.                     What is Marty seeking on his sojourn to Sydney? What realizations emerge when he and Ellie are reunited? What misconceptions are laid to rest?
11.                     Beyond additional paintings, what is Ellie seeking when she makes the pilgrimage to Edith Zeller’s bed-and-breakfast?
12.                     Consider the author’s decision to make the Dutch Golden Age his backdrop. What particular qualities permeate the novel as a result of that choice?
13.                     Does At the Edge of a Wood convey any messages that endure across the centuries? What would Sara think if she could have known the fate of her work?
14.                     How does The Last Painting of Sara de Vos enhance the portraits of humanity presented in other novels by Dominic Smith that you have enjoyed?

Wednesday, June 7, 2017

Here Comes the Sun by Nicole Dennis-Benn June 2017

June 2017 selection - Here Comes the Sun by Nicole Dennis-Benn

The Fairfax Library Book Discussion Group will meet Thursday, June 8th at 7 p.m. in the meeting room of the Fairfax Library to discuss our June book, Here Comes the Sun by Nicole Dennis-Benn.


Discussion questions are below.

Here are some links for additional background and information:


  

Coming up, we have the following books to look forward to reading:


Thurs. July 13th        The Last Painting of Sara De Vos by Dominic Smith

Thurs. Aug. 10th       The Sympathizer by Viet Thanh Nguyen

  

Thanks for reading with us. I look forward to seeing you at the Fairfax Library.

Beth Bailey-Gates
Friends of the Fairfax Library


DISCUSSION QUESTIONS
Here Comes the Sun by Nicole Dennis-Benn

  1. Riding to work one day, Margot says, "Can't wait to leave dis godforsaken place." When the taxi driver says, "we live by di sea," Margot responds "This is not paradise. At least, not for us." Talk about the disparity between Jamaica's image as a tourist destination and Jamaica as a place to live for its residents. If you've visited Jamaica, or other Caribbean Islands, where you surprised by life portrayed in Here Comes the Sun?
  2. . What do you think of the three women characters—Dolores, Margot, and Thandi? The choices they make are problematic, to say the least. Can their choices be understood, even acceptable, given the dire poverty the women face?
  3. . (Follow-up to Question 2) What do you think of the "extra job" Margot undertakes in order to raise money for Thandi's schooling? What else does Margot do to get ahead. Is she blameworthy or can her choices be defended?
  4. . Dolores believes that in her culture a woman is valued for "what's between her legs." Is this a realistic assessment or a warped and cynical one?
  5. . What are the promises—and threats—of the proposed new hotel? Will it bring hoped for prosperity or only destruction of the village?
  6. . Discuss Thandi's decision to undergo skin bleaching and the hierarchy of race as explained by the woman who administers the skin treatment.
  7. . The book poses significant questions about greed and sacrifice, about being desperate in paradise. What are the many humiliations undergone in order to achieve security? What would any of us do—what would you do—in order to survive in a culture and economy like these women face?
  8. . Discuss homophobia in Jamaica. The author, herself a lesbian, chose to leave Jamaica rather than live in a hostile environment. What about Margot and Verdene? Will living in a gated community offer the protection Margot dreams of?
  9. . Given the desperate lives the women lead and the choices they make, do you find this book difficult to read? Is it simply too grim? Or does the writing—in particular, the depth of the characters and the complexity of the issues—redeem the book in your eyes? (There is no single or right answer to this question!)
  10. . Nicole Dennis-Benn brings to life a Jamaica that is removed from, yet also inextricably linked with the fantasy world of the resorts. How does she create a distinct sense of place? Did the Jamaica she conjures surprise you? Did it feel foreign or familiar?
11.   “God nuh like ugly,” Miss Ruby warns Thandi, and her mother tells her, “nobody love a black girl.” How do racism, colorism, and classism shape their society? How do these forces direct the characters’ lives, thoughts, and actions?
How did your understanding of Margot’s relationship with Delores change over the course of reading the novel? Do you find their actions toward one another understandable? Forgivable?
12.   Margot, Thandi, Delores, Verdene, and Sweetness all have distinct, strong voices. Which of these women did you most sympathize (or even identify) with? Which do you hold most accountable for her actions?
13.  4. The ever-expanding resorts threaten the homes of River Bank residents and destroy their livelihoods as farmers and fishermen. Yet the hotel business also brings jobs and, to ambitious people like Margot, the promise of prosperity. Do you consider this kind of development progress? Why or why not? Did the novel change your views?
14.   How do the women in the novel relate to men? What effects do men have on women’s lives and senses of self?
How do Jamaican religion and tradition interact with encroaching modernity on the island? Which storylines illuminate this tension?
15.   What are Margot’s motivations? Are they what she says they are?
16.   After implementing her scheme, Margot sees Miss Novia Scott-Henry crying in the hotel bathroom, “long streaks down her face. Like scars.” Why do you think Dennis-Benn uses this startling imagery?
17.   Why does Margot react as she does when she finds out Thandi has been bleaching her skin?
18.   What role does language play in this world, and how does Dennis-Benn use it? What social and emotional associations does the local patois carry?
19.   The book’s title sounds optimistic. Is that expectation borne out?



Wednesday, May 10, 2017

Between the World and Me by Ta-Nehisi Coates May 2017

May 2017 selection - Between the World and Me by Ta-Nehisi Coates

The Fairfax Library Book Discussion Group will meet Thursday, May 11th at 7 p.m. in the meeting room of the Fairfax Library to discuss our May book, Between the World and Me by Ta-Nehisi Coates.

Discussion questions are below.

Here are some links for additional background and information:




USC’s Bedrosian Center offers an online social justice book club. You can subscribe on iTunes, too. Scroll down the page to find their discussion of Between the World and Me




Coming up, we have the following books to look forward to reading:



Thurs. June 8th         Here Comes the Sun by Nicole Dennis-Bonn

Thurs. July 13th        The Last Painting of Sara De Vos by Dominic Smith


Thanks for reading with us. I look forward to seeing you at the Fairfax Library.

Beth Bailey-Gates
Friends of the Fairfax Library

DISCUSSION QUESTIONS
Between the World and Me by Ta-Nehisi Coates

1. Coates modeled the book’s epistolary structure on James Baldwin’s The Fire Next Time , which is also written as a series of letters. Why do you think Coates chose the epistolary form, rather than that of the traditional essay? Why do you thinkCoates wrote this book in the form of a letter to his son, specifically? How does the format affect your relationship tothe text? Do you think this format might make some readers uncomfortable? How might black readers have a different experience reading this text than white readers?

2. Consider the title Between the World and Me ; it comes from a poem by Richard Wright, which is printed at the beginning of the book. To whom do you think the “Me” in both the book title and the poem refers? What are the “sooty details of thescene” in Wright’s poem? How are these “sooty details” portrayed in Coates’s book?

3. How does Coates define and describe the black body throughout the book? What does Coates mean when he refers to the idea of losing his own body? Consider your own body, and the influences and individuals that have control over it. How is your experience similar to or different than the experiences Coates writes about? Why does Coates include physical descriptions of black bodies when writing about slavery and historical racism?

4. Coates identifies race in the United States as a social construct that has its origins in a history of violence and oppression. Why do you think this conception of race is not universally accepted? Who defines race in America? How do racial boundaries and categories benefit some people and harm others? Does race play a role in determining who has political power, economic privilege, and social benefits? Have social influences such as race, power, and privilege played a role in shaping your own personal identity?

5. Why did Coates choose not to comfort his son when the news broke that the police officer who killed Michael Brown would not be indicted? What was your own reaction to this verdict? How do you think people throughout the country reacted to this decision? How did this incident spark conversations about race and police violence in the media and in your personal life? What have you observed about the Black Lives Matter movement on the streets of Ferguson, New York City, Baltimore, and Charleston? How are young people resisting and organizing locally against police brutality?

6. Coates writes about the profound fear he felt growing up in Baltimore, and the sense he had, even then, that he was being excluded from other, more beneficial childhood experiences and opportunities. What unspoken rules was Coates forced to learn? How do you think these rules affected his experiences as a child? How does Coates’s childhood compare to your own? How do childhood experiences affect our personal stories and identities?

7. As a young person, Coates witnessed another boy brandish a gun. He writes, “He did not need to shoot. He had affirmed my place in the order of things. He had let it be known how easily I could be selected.” Why didn’t Coates tell anyone about this experience? How did this incident affect Coates’s sense of belonging in Baltimore? How did it affect his level of fear? Have you ever had an experience that reminded you of your own mortality? Did you have control over the situation, or were you unable to prevent it?

8. Coates writes that public schools in Baltimore were “not concerned with curiosity. They wereconcerned with compliance” and that education was “a means of escape from death and penal warehousing.” In what ways do public schools fail the communities they are meant to serve? Why did Coates choose to focus on his education, despite not feeling engaged or supported by his school? Is this different than your own experience with education? Coates writes that 60% of all young black men who drop out of high school will eventually go to jail. Why do you think this statistic is so high?

9. Whenever Coates got into trouble at school, his grandmother made him write about the incident. He calls these moments “the earliest acts of interrogation, of drawing myself into consciousness.” Recall your own early “acts of interrogation.” How did you reflect on your actions and your place in the world? How and why did you choose that particular process of reflection? How can writing help you both ask and answer questions, and discover and develop your own identity? When did you first become aware of your own racial identity and how it affects your life?

10. Coates writes, “Perhaps there has been, at some point in history, some great power whose elevation was exempt from the violent exploitation of other human bodies. If there has been, I have yet to discover it.” What were you taught about America’s history of slavery and racism? How was it different than the American history that Coates writes about? Why are children shielded from learning about historical racism early in their education? What prevents individuals from studying racism and histories of violent exploitation as they grow older?

11. Coates writes, “Black people love their children with a kind of obsession. You are all we have and you come to us endangered. I think we would like to kill you ourselves before seeing you killed by the streets that America made.” How does Coates’s description of parental discipline within the black community compare to your own philosophy regarding behavior, discipline, and punishment? What do you think of the practice of “violence administered in fear and love”? How is this form of discipline influenced by black parents’ perceived lack of control over their children, and inability to protect them?

12. What is “The Dream” that Coates describes, and who is seeking it? Why did Coates choose to capitalize “Dream”? How is Coates’s definition similar to or different than your own perception of the American Dream? What does Coates mean when he writes, “I am convinced that the Dreamers, at least the Dreamers of today, would rather live white than live free”? What is the relationship between “The Dream” as Coates describes it and both historical and contemporary racism? What does Coates believe needs to happen for Dreamers to “wake up,” so to speak?

13. Coates writes, “my only Mecca was, is, and shall always be Howard University.” Why does he refer to Howard as the Mecca? Coates lists dozens of authors, leaders, and intellectuals who studied at Howard. Why does he list so many names? What role do they play in his experiences as a student and as a writer? What does he learn about the diversity of black people from the students on the Howard campus?

14. Coates tells his son that he “must be responsible for the worst actions of other black bodies, which, somehow, will always be assigned to you.” What are the social responsibilities assigned to young black people? Coates also tells his son “the price of error is higher for you than it is for your countrymen, and so that America might justify itself, the story of a black body’s destruction must always begin with his or her error, real or imagined.” How do you see error and blame represented in the narratives of black people who are killed by police? How is this similar to or different than the portrayals of police officers who are killed while on duty?

15. How does Coates react to the death of Prince Jones? How is his process of grieving different than that of his peers? What does Coates mean when he writes, “I knew that Prince was not killed by a single officer so much as he was murdered by his country and all the fears that have marked it from birth”? How is Coates’s experience of learning about Prince Jones’s death similar to his son’s experience of learning about the death of Eric Garner? What does Coates learn from talking to Prince Jones’s mother?

16. What happens when Coates confronts a white woman who pushed his son in a movie theater? What is his reaction when a white man interjects into the confrontation and tells Coates, “I could have you arrested!”? What role does race play in this incident? What does it demonstrate about the different types of safety and protection available to black people and white people?

17. Coates writes, “in America, it is traditional to destroy the black body—it is heritage.” What does Coates share about the varied narratives of slavery, the Civil War, and the civil rights movement? Who shapes these narratives? In your own education, were you taught a “comfortable narrative” about race, slavery, and the historical oppression of black people? How does this oppression continue to persist as structural and institutional racism today? How can individuals and communities resist this type of racism?

18. Why does Coates initially not value travel abroad? What realizations does Coates have when his wife returns from Paris? How is he affected by his own travels in Europe? How does his experience abroad shed light on his life experiences in the US? Have you had an experience of foreign travel that made you question or reconsider your own identity?

19. How does Coates describe black religious communities? What is his relationship with Christianity and the black church? What are some ways in which religious communities can empower or hinder their members? Why does Coates challenge those religious beliefs that focus solely on hope and optimism?

20. Coates tells his son, “I am sorry that I cannot make it okay. I am sorry that I cannot save you. But not that sorry . . . The struggle is really all I have for you because it is the only portion of this world under your control.” What is the struggle that Coates identifies? In what ways does Coates encourage his son to be vulnerable while participating in the struggle? How does Coates encourage his son to find his own answers to his questions?

about the guide writer
RACHAEL HUDAK
 is the Director of the Prison Education Program at New York University. She has worked for anti-death penalty advocate Sister Helen Prejean, has led creative arts and meditation workshops in prisons and jails in Michigan, Illinois, and New York, and has worked on anti-violence initiatives throughout the US. Rachael holds a BA in English Language and Literature from the University of Michigan

Additional discussion questions:

21. Some critics have argued that Between the World and Me lacks adequate representation of black women’s experiences. In her otherwise positive Los Angeles Times review, Rebecca Carroll writes: “What is less fine is the near-complete absence of black women throughout the book.” Do you think that the experience of women is erased in this book?  Do you think Coates had an obligation to include more stories of black women in the text?  

22. While much of the book concerns fear and the haunting effects of violence, it also has moments where Coates explores moments of joy and his blossoming understanding of the meaning of love. What notions of hard-won joy and love does the book explore?  How do these episodes function in counterpoint to the book’s darker passages? 

23. Do you think Between the World and Me leaves us with hope for race relations in America? Why or why not?  Do you think “hope” was what Coates was trying to convey to readers? If not, what are you left with at the end of the book?  If so, hope in what? 

24. Coates repeatedly invokes the sanctity of the black “body” and describes the effects of racism in vivid, physical terms. He writes: “And so enslavement must be casual wrath and random manglings, the gashing of heads and brains blown out over the river as the body seeks to escape…There is no uplifting way to say this. I have no praise anthems, nor old Negro spirituals. The spirit and soul are the body and brain, which are destructive—that is precisely why they are so precious. And the soul did not escape. The spirit did not steal away on gospel wings.” Coates’s atheistic assertion that the soul and mind are not separate from the physical body is in conflict with the religious faith that has been so crucial to many African Americans. How does this belief affect his outlook on racial progress?